Week 8 – Nero D’Avola

Tasting notes

Corte Ibla Nero Dā€™Avola Single Estate 2015 – Ā£12.50

Emma says: “Last night I was at a wine tasting. An unusual one, since I was told before I even tasted the wines I couldnā€™t buy them. They were already all bought, and too expensive for me.

I then saw the labels of these wines and it threw me even more. No words, just pictures of a semi clad ghetto-tastic lady holding a machete and sitting on a car. The winemaker was lovely, but when he came to describe his wines he spoke more about the inspiration for the labels than the wines themselves. Iā€™m saying this because iā€™m not feeling much like tasting Nero Dā€™Avola tonight. I drank a little too much of those wines….

I actually find that tasting wine whilst feeling a little ā€œoff colourā€ can be a very good test. The wine is going to have to try extra hard to impress me. Weā€™re trying the Corte Ibla Nero Dā€™Avola Single Estate 2015 which is Ā£12.50. So weā€™ve pushed the boat out a little in Nero D terms. The first sniff is impressive, it has moody dark fruits with a nice herbal tinge, quite baked and heady in aroma giving a clue to the warm Sicilian climate. I know this wine is made from old vines which produce low yields with more intense flavours, and you can already sense that. On the palate this is a serious wine, it is loaded with dark spicy plum fruit but also has a nice smoky mineral dimension that gives it far more complexity than your average pizza restaurant Nero D. Although I have said it is serious I think there is something quite easy to enjoy about Nero Dā€™Avola, it has a tutti frutti mid palate and the tannins are present but quite loose and smooth. The alcohol is warming at 13.5% but this grape holds its acidity well despite the climate conditions so it feels nicely in balance.

Iā€™m hoping this is a wine that people who typically enjoy Malbec would find a good alternative. It has the gutsy flavours and spicy richness that should mean it ticks the same boxes.

As for food matches, this is a structured red so it would be a great match for red meats or winter stews. If you go with the logic that wines go well with local cuisine then I would try it with tomato based dishes, potentially using olives and a bit of chilli. Sicily has a really interesting cuisine that blends the traditional Italian flavours with more spicy North African influences.Ā  A puttanesca sauce would be a great match for that reason.

And finally did this glass convert me back to drinking? The truth is no, Iā€™m looking forward to moving onto a glass of water. But Iā€™m sure my doctor would be relieved to hear that.”

Andy says: “Sloppy Giuseppe, Capricciosa,Ā Nero D’Avola,Ā Quattro Stagioni. To paraphrase Sesame Street, “one of these kids is doing its own thing”, and the ‘kid’ here isĀ Nero D’Avola. It’s not a pizza. Not a pizza not a pizza not a pizza. It should be, but to the best of my knowledge (aka ‘Google’) it isn’t.

Whilst on my Google pizza quest, I learned that “Nero D’Avola” is Italian for “Black D’Avola”. Nero being Italian for black, and D’Avola being Italian forĀ  D’Avola. Who knew?

I jest, of course, I always knew the Italian for “D’Avola”. (In all seriousness, Avola is a city/town in Sicily, and it’s a black grape from there. “Nero D’Avola” =Ā “Black from Avola”Ā – thanks Google!).

I was looking forward to this one, as I think I like full bodied reds, and the whole point of this 52 Grapes nonsense is to help me work that out. I still don’t quite know what ‘full bodied’ means. I would say this was definitely toward the ‘full’ end of the spectrum, but could be ‘fuller’.

Slightly leathery on the nose, and a bit of a burn after the swallow. The former (I’m told) being a characteristic of a warm climate red, and the latter being a sign of the ABV. It’s only 13.5%, but tastes more. Fruit wise, it’s at the dark end – plum, cherries, brambles etc. Andy tip: At my basic level, it’s not necessarily about tasting those specific things, it’s more of a profiling task. Is it green fruit (apple, pear, gooseberry), red fruit (strawberry, raspberry, redcurrant), or black fruit (plum, black cherry). If I get that sorted, then next would be trying to pinpoint where in each of those scales I feel the wine is.

In summary – and bearing in mind the price compared to others of a similar profile – this is a keeper.”

Buying Guide

Lovers of Malbec, Syrah or Cabernet ā€“ this one may be for you.

This week Iā€™ve chosen Nero Dā€™Avola. The honest truth is that I wanted to select a grape that could only really come from one place (and has one name) because Iā€™m getting tired of the showdown between one region and another when I choose which country to try a grape from.

Thankfully “Nero D” is the king of Sicilian red grapes, which makes it nice and easy. Unless you happen to live in France where I hear youā€™d be hard pushed to find anything more southern than the Rhone.

And if you do want one tip above and beyond ā€œhead to the red Italian section of your local shopā€, Ā I would say that ā€œVittoriaā€ region of Sicily is where the best versions come from. Also that the bargain bucket Nero Dā€™Avolas can be lovely, but if you trade up a little to Ā£10 or more then you will get a chance to taste the sophistication this grape can achieve. And the Sicilians will love you for it!

Week 6 – Grenache / Garnacha

Tasting Notes

Emma says: “I happen to know two fantastic winemakers who specialise in Garnacha in Spain. Fernando Mora and Norrel Robertson. Fernando is a ‘garagiste’ winemaker, the term us wine folks use for someone who makes wine in the equivalent of their back yard. His first wine was made in his bath, honestly it was. Given his small quantity production I was lucky to get hold of a bottle to review. We’re told you are able get one if you are interested – just contact us and weā€™ll tell you how.

Norrel is a Scotsman who moved to the remote Spanish region Calatayud, and is championing their old vine Garnacha. His wines are a little easier to track down: El Puno at Oddbins or Papa Luna at Majestic.

On to the grape in question! There is something unusual about the aroma of Grenache/Garnacha that I donā€™t quite get. Very Tutti Frutti, which is nice, but there is also an unusual sweet and sour note, with a slightly earthy character. Something I find a bit distracting and potentially Iā€™m just over sensitive to it, because fellow tasters donā€™t say that as much as me. Plus because it can be a hot climate grape the perfume can be a bit high toned i.e. varnishy. So my previous experience is that Iā€™m a lover of the taste of Garnacha rather than the smell. If I focus too much on the smell I donā€™t like it!

And on to the wine we are tasting today ā€œSupersonicoā€ by Fernando. This wine has some of that aroma character but thankfully in a gentle way and nice decent note of bright jammy plums – yum. The spicy character comes through in that way a mulled wine gives you a first hit of warming cloves and pepper. Good start.

On the taste this wine really come into its own. It has the sweet supple candied red fruits I expect, very smooth and dense in flavour. There is a lovely texture too; fine but mouth filling. The grape itself has relatively low tannin, so this means the old vine fruitĀ  has delivered this extra layer of concentration. It has warming alcohol but it works well with the layers of spice which are a touch medicinal and liquorice sweet in taste. I love the depth of this wine it keeps giving new flavours, raspberry, cherry, plum, then a bit of root beer, prune, candied peel, star anise, all sorts of luscious sweet and spice flavours. The fruit is very much at the front of its flavour which to me shows the grape have that intensity and that the oak is gentle and not overwhelming.

And I was happy that it was only after drinking the wine I noticed it said ā€œnaturalā€ on the label. Checking Fernandoā€™s website I can see it means heā€™s limited the amount of sulphur he uses to make the wine. This is ā€œbang on trendā€ and a bit of a controversial topic right now. Sulphur is a preservative and has a long tradition in winemaking. But it isnā€™t great for the health so many ā€œnaturalā€ winemakers have tried stopping using it entirely. I like Fernandoā€™s approach because the wine still tastes squeaky clean. If youā€™ve ever had the joy of tasting a ā€œbadā€ natural wine which can have all sort of off flavours youā€™ll know what I meanā€¦”

Andy says: “Confession time. Each week, we’ve written our notes independently before comparing. This week however, I cheated. I read Emma’s first.”

Nothing hammers home more how little I know or can taste. She’s throwing around terms like ‘prune’, ‘root beer’ and ‘star anise’. Sometimes I think she has access to some sort of wine tasting thesaurus, looks up ‘red wine’, and then chooses three or four synonyms just to mess with me. Red wine, well it’s probably on page one, white wine being alphabetically on page two. How easy is that?

So what can I taste? The only thing I feel confident about is ‘tannin’, in that they’re there, and are soft, gentle and I guess ’round’, as that’s what is usually said.

Andy tip time: You know that feeling when you drink red wine, and your tongue feels like it puckers and your cheeks or teeth go dry? That’s tannin. The firmer the ‘pucker’, the more tannin present.

I think I also get acidity, as my cheeks water heavily after drinking. Nose wise, it’s a bit old leather. I hate myself for typing that, but it’s definitely not ‘new leather’. A hint of VA (volatile acidity), and a wisp of farmyard, neither being unwelcome.

Buying Guide

Whoever voted for Grenache – you pesky people! I knew it would be difficult to decide on which Grenache we taste, and was hoping to leave it until later this year.

Why? Well Grenache is mostly used in blends. When we set out on the 52 grape challenge we said we wanted each week to taste a wine that best expressed the grape it was made from. Sticking with that idea, Spain and Australia are places that make 100% Grenache wines. We’re plumping for Spain, so look for Spanish Old Vine Garnacha from either Calatayud or Carinena regions.

These styles will be pretty similar to the Tempranillo and Barossa Shiraz in recent weeks, so if you do fancy a blend, look for aĀ French Rhone blend ā€“ specifically the wines CĆ“tes de Rhone, Gigondas or Vacqueras; which are all from the Rhone area. Look for a recent vintage too.

So go to your local wine shop, head to the Spanish or French red section, and find a wine with those names on the label. If you go French, check the back label in the hope it mentions Grenache is in the blend. If they write Grenache first in the list grapes it means it’s the predominant grape ā€“ which is perfect.

Alternatively ask your friendly wine merchant to help!

Week 5 – Zinfandel / Primitivo

Tasting notes

Emma says: “Iā€™m intrigued to see how this week goes, because on a personal note I donā€™t ever remember really enjoying Zinfandel. It is that sort of lusty bold red that I really donā€™t get.

A bit of a problem child as a grape because it needs a really hot climate to get ripe and then ripens unevenly, so you can get sweet raisin grapes and green un ripe ones in the same bunch. For me that means it can be jammy and sort of green tasting at the same time.Ā  Not a great combination. Then it easily reaches high alcohol, and since Iā€™m on the petite side that extra % or two of alcohol can make all the difference the day after.

But that is the pleasure of this journey. Bring it on. Letā€™s find a Zinfandel I love. So we choose a slightly pricey one, Edmeades from Mendocino County in California. On the first sniff it is definitely Zin, slightly spirit-y in fragrance (=alcohol) with very ripe raspberry and cherry fruit but actually there is a nice perfume to it and it feels surprisingly fresh rather than pruney. Good start. To taste it silky textured and smooth with more of that candied cherry and luscious strawberry fruit, it is balancing on a fine thread to being jammy, but hanging in there well. Iā€™m feeling that 15% alcohol but not it isnā€™t vicious and there is a nice gentle cocoa powder twist from oak.

So I think the learning for me is that if I drink Zinfandel it is going to have to be the pricey stuff. Before now Iā€™ve tended to drink Lodi region Zinfandel which is the biggest commercial area for this grape and those wines have been richer and heavier without the finesse of this one weā€™ve tried. Mendocino area benefits from cooling coastal breezes which is perhaps the secret of its finesse; Russian river Zins share that character. The other thing to look out for on the label if you do like Zin is ā€œold vineā€. This was one of the original planted grapes of California but a lot was pulled up in favour of more famous red grapes. Those old vines have far better balance in the way they produce fruit and so tend to produce the best and most complex styles of Zin.

Oh and if you are trying Primitivo instead of Zin, that is the style I typically favour. It has that pruney intensity but I like more earthy, savoury profile that mingles into the fruit and gives it a different dimension. So I hope you find that difference if you are going Italian this week.”

Andy says: “Let’s get one thing straight: My wine vocabulary is limited. I can sort of recognise tastes and smells, but then struggle to put a name to them. I guess that’s what happens when your diet consists mainly of crisps, chips and pizza.

But, one of the reasons for doing 52 grapes is to help me work out what people mean when they say they can taste leather, petrol, arsenic, or some other thing that would kill you if you actually knew what it tasted like. You know, like Tide pods.
So the wine. On the nose, it’s a bit shoe polish, high notes, and if you take a big old sniff it hits you right between the eyes. Tasting again a day later, that’s softened a bit. It’s 15%, so I’m assuming it’s the alcohol. Watch this space for Emma telling me why it’s not that.
Taste wise, the label says Graham Crackers (no idea, it’s something American), cherry (yep, ok, I’ll give you that), blackberry (never knowingly had one – more childhood issues), and dark chocolate (maybe). For me, mild tannins (only a slight tongue grip), and quite dry. Did I like it? Yes – but I’d like to try it at a lower ABV.”

Buying Guide

This buying guide is the trickiest so far.

Zinfandel and Primitivo are genetically the same grape. The former is mostly found in California producing ripe fruity styles that are heady and full bodied. The latters is a classic from Italy, normally in the southern Puglia region where the intense sun produces rich, fruity and concentrated styles. The thing is the results are dramatically different. For me the Zins are the more straightforward – fruity, even jammy styles. The Primitivo is more classic in the mix of rich raisiny fruit and leathery, savoury undertones. They are equal in quality, so Iā€™m struggling to decide which one we should taste.

Since Iā€™ve tasted a lot of Primitivo recently through work, I’m going to plump for a Californian Zinfandel. But I really am tempted to buy one of each, although Iā€™ve been promising Andy that Iā€™ll stop doing thatā€¦

Please note – this is not a White Zinfandel, you’re looking for a red wine.Ā White Zinfandel is the pink version and is basically the Coca Cola of the wine world. It doesnā€™t really taste of the base grape because the vines used have massive yields, producing watery flavoured grapes. To be pink it has very short contact with the skin, and that’s where most of the flavour sits. Then to finish it off they chuck a load of sugar at it before bottling. Iā€™m not trying to trash talk White Zinfandel, many people love it, but it really has little to do with the grape, and our mission here is to try to taste the best example of the basic grape flavour.

Head to the red wine section where Californian or American wines are located. Then look for a Zinfandel which is normally marked clearly on the front label. And remember – it’s a red wine!

Week 3 – Syrah/Shiraz

Tasting Notes

Ebenezer & Seppeltsfield ShirazEmma says: “Iā€™m concerned that now Iā€™ve promised Andy this wine will taste like one of his favourite crisp varieties ā€œFrazzlesā€, that he will be disappointed if this doesnā€™t turn out to be a bacon wine.

My hope is that this wine really shows that beautiful bold fruit of the new world Shiraz but with that sophistication that comes from Barossa; that bit more complexity and dimension.

And wow, this Chateau Tanunda wine has certainly a lot of power. The aromas are really diverse, the fruit bursts from the glass, lots of raspberry & blueberry, very ripe but not too jammy. It might not have a bacon aroma, but it has this wild savoury character typical of Shiraz, smoky with an oriental spice twist. There is also a distinct molasses or brown sugar note which I always find in these wines; something that makes them very enticing. Plus there is a definite hint of eucalyptus, a classic note of Australian reds, apparently because the grape skins do absorb these characters from the abundant local eucalyptus trees.

Then to taste it is as succulent and rich as expected. I do love the way Shiraz feels rich and velvety in texture when it comes from a warm climate like Barossa. And paying that little bit extra (Ā£15) for this wine has paid off. It has a real array of flavours from the dense red fruits to the sweet menthol, licquorice spice, then a hint of vanilla sweetness and brown sugar to finish. To put it simply this wine is GOOD. Iā€™m glad I donā€™t have the bottle with me or Iā€™d finish it.

Something I didnā€™t get from this wine is black pepper. That is a character of Shiraz that so many people tell me about but I always seem to miss. It used to frustrate me a lot when I was blind tasting for my wine exams, but then I read it is just one of those sensory characters that some people are more sensitive to than others.Ā  You might want to test which camp you fall into with your Shiraz.

Ā And one more thing to watch out for from the Shiraz/Syrah you are tasting. This is a grape that is prone to reduction (see my Terminology section) so you might find when you open the bottle is can be dumb or flat, maybe with an eggy aroma. If that is the case swirl it in the glass or decant it. Give it time and the oxygen can reverse that problem and youā€™ll start to notice it becomes fruiter and generally wakes up.

For food matching, it is true that Frazzles may be your ultimate pre dinner match for this wine. But if you are feeling more sensible and want to have a decent dinner with it Iā€™d advise food with equally bold flavours, maybe spiced or barbecued meats. Or for those on Veganuary you can go for padron peppers, roasted vegetable lasagna or tortilla.”

Andy says: “Australian Shiraz this week, and I’ve been looking forward to this ever since Emma said that it might taste like Frazzles, the king of bacon flavoured corn based snacks. She admitted privately that she meant French Shiraz and not Shiraz in general, so we’re off to a bad start.

I was hoping for something more from this full bodied red. There was mild tannin (that ‘grip’ you get on the tongue’), a whisper of smoke, and quite a short finish. It was lacking the punch in the mouth burst of flavour that I was hoping for. You know, that one that knocks you back a little and makes you go ‘wow, ok’. Actually, on second thoughts the finish isn’t that short, but does fade sooner than you’d like.

A day or so after opening and the wine opens up, and I get more fruit and mild hint of a jammy character, but still lacking a bit of intensity for me. Maybe that’s the idea… maybe, omg, I’m learning.

Still probably my favourite of the three so far.”

Buying Guidelines

If you’ve read the grape guide pages, then youā€™ll know Shiraz/Syrah is the grape I have come to view as ā€œsexyā€ through the influence of a Mexican winery owner. Yes, indeed.

When I thought of which particular Shiraz/Syrah we should taste I thought Iā€™d have to go straight to the style I would put most firmly in that “sexy” camp. I might be wrong, but I find the Barossa (Australian) style Shiraz the one that has those wickedly enticing flavours, and that’s what we’ll be trying this week. It is all raspberry ripple, brown sugar and velvet in its texture. Plus, the alcohol is a bit of a devil because it can often reach 14% or more. [Warning ā€“ you might not feel so sexy the next day after that bottle]

Finding this wine should be relatively simple because most retailers, large or small, should stock an Australian Shiraz. So this week head to the Australian section and find a Shiraz from the Barossa, McLaren Vale or Hunter Valley regions. This should represent best bang for buck.

Whilst we really want you to taste the same thing as us, if you’ve drunk a lot of Aussie Shiraz before and find this a boring option, then try some styles a little further afield. There are some great Syrahs from New Zealand (Hawkes Bay), South Africa (Paarl), Chile (Limari or Elqui Valley), California or even Canada (Okanagan). Get stuck in.

Finally, if you are not a fan of ripe fruity new world wines then you can go old world and give us some thoughts on the classics. The region most known for pure Syrah is the Rhone Valley. Northern villages of that region like Cote Rotie, St Joseph or Cornas produce amazing wines of great intensity and they have more complexity in additional infusions of wild herbs, black olives and more earthy savoury notes.

Oh and look out for bacon flavours or aromas. For some reason good Syrah always smells to me like a packet of Frazzles. Iā€™d like to know if anyone else gets thatā€¦

Week 1 – Tempranillo

Tasting Notes

Emma says: “Week one and the pressure is on. Have I selected the right wines that will show Andy exactly what Tempranillo and Rioja is capable of? This is a complication I hadnā€™t quite factored into the challenge.

Here are the wines I chose: Perez Burton Rioja and Romeral Crianza Rioja.

I tried to select two close in price and not too pricey, just a touch over Ā£10. One was from a producer I know is modern –Ā  the ā€œPerez Burton Riojaā€ by winemaker Telmo Rodriguez. He originates from Rioja, and studied winemaking in Bordeaux before returning to Spain, bringing new ideas and techniques. His wine did exactly what I hoped, it has a lively strawberry fruit aroma, then more bramble berry richness to taste, plus that lick of oak flavour giving chocolate sweetness; but all in all it is the fruit that is the star of this wine. And it has this purity in taste, plus a rich but fine texture that is the hallmark of modern styles.

And the second wine, Romeral Crianza Rioja was different from the Perez as I had hoped. The aroma was definitely more cedar noted, and spicy. The fruit wasnā€™t quite as showy, it was mixing in with those more savoury spicy characters that are a feature of traditional styles. I have to admit there is a year more age in this wine which does account for why the Perez Burton is more fruity, as the fruit does start to be overtaken by these other characters as it ages. I also think if weā€™d chosen a Reserva or Gran Reserva of the Romeral wines weā€™d have seen a bigger difference. When you taste those styles the fruit goes to strawberry compote and the spices get softer, more cinnamon and cocoa powder.

So what creates this difference between traditional and modern styles? Well there are lots of factors, but for me the simplest way to explain it is that modernistas try to make the wine so that the fruit flavours remain bright even as the wine ages. Sometimes traditional styles have been criticised for getting dried out and tired as they age, but to be honest Iā€™m actually a real fan of the traditional style because I love the complexity of how all the savoury and spice notes start to overlay the fruit after time. However in this experiment I was more on the side of the Perez Burton.”

Andy says: “So week one and two Riojas / Tempranillos to taste, a modern and a classic. I didn’t know which was which and attempted to work it out following the guidelines above. I ballsed it up.

I know very little (nothing?) about wine, but I have had quite a few bottles of Rioja in my time. It’s usually smokey, smooth and creamy. Of our two, the Perez Burton was closest to what I recall as being Rioja, so I guessed it was the traditional one. It wasn’t. It was the fruitier of the two, and if I put my arty farty wine cap on, I’d say I could taste blackcurrant jam. The label informs me to taste cocoa, sorry label, but I can’t.

The Romeral by comparison, was a little ‘thinner’ and less tasty than the Perez. Again with the arty farty wine cap on, I’d say it had a little more volatile acidity (‘VA’ as the experts say. I’m probably wrong, but the way I detect VA is to get acetone-y, nail varnish remover-y notes on the nose).

A little disappointed in both (where’s the smoke?!), but of the two I’d choose the Perez.”

Buying Guidelines

Tempranillo is the main grape in Rioja. We chose this for week one as we assumed most of you would be familiar with it, and so it can be a good introduction to writing down your thoughts as the taste might be already well known.

Just in case you hadn’t clicked, the idea is that each week, within reason, we all taste the ‘same’ wine. The safest and easiest way to find a wine to match ours this week is to head to the Spanish section of the wine aisle. Find the Riojas and look for a bottle that says Tempranillo on the front or back label, as that way you can be sure it is made predominantly with that grape in the blend. If it doesn’t say Tempranillo on either label, then we can’t be sure that that is the predominant grape.

We want to taste a real “classic” Tempranillo which is aged in oak, so look for a Rioja called “Crianza” or “Reserva”. Those are terms used to mean the wine has spent some time ageing in oak.

Wineries tend to split into two style camps; traditional or modern, and we canā€™t be sure of the style of producer you will select. The traditional styles have gentler, sweet fruit, more cinnamon, sweet spice and savoury characters, whilst the modern style is more structured, more vibrant, blackcurrant fruit and peppery, clove-y spice. When tasting, see if you can spot which style you have.

Weā€™ll pick up two bottles and comment on both styles. It would be impossible to guide everyone how to do the same. This way we thought that we can cover the bases so nobody should be left out.

For people who want to go slightly off the beaten track, you can pick another Tempranillo from Spain ā€“ the Ribera del Duero region makes wines from often 100% Tempranillo and can be a lovely option if you want to explore styles a little and join in that way.